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California

Time for the visitors: Photographing comets at the margins of the Great Basin

D. Craig Young · December 6, 2025 · 10 Comments

I seem to have driven above the fall colors of central Utah. The Old River Bed of the ancient Great Salt Lake, where I had been walking an ancient delta earlier in the day, was far behind me. With the light fading, I realized I was too late in the season – beyond the middle of October – for peak color in the aspen groves of the Wasatch Mountains. Never mind ‘peak color’, I was clearly too late for leaves of any kind; the aspens formed rows and rows of picket-lined, skeletal woodland, no leaves in sight. My goal this autumn, however, was something different.

I have had a long interest in the night sky. While I completed college courses and picked up a nice collection of books on astronomy, none of that prepares you for a night under a desert’s canopy of stars. Before I wandered deserts, living in the cross-timbers of northern Texas, telescopes had my attention, and I even fumbled around with camera mounts in high school, trying to connect a Canon AE-1 to an 8” tracking scope. I never solved that puzzle. My astrophotography has advanced little since the early 1980s.

However, comets.

In 1986, while I was at college struggling through physics class, my dad tracked Halley’s Comet as it approached perihelion on its ±76-year orbit. My grandfather had seen it as a boy, and my father wanted him, his father-in-law, to see it twice. Although I did not get to share in that effort, I have the picture my father captured from our front porch after several attempts at various locations. An engineer, he was able to get his AE-1 attached to a modified tripod to get the image. Although he recorded settings for several of his attempts in a notebook (high-quality paper metadata!), his best image is almost an afterthought; a classic moment of ‘one last image’.

Scan of photo print of Comet Halley, taken by Dennis Young in Plano, Texas, 1986
Comet Halley in 1986, from a quiet neighborhood in Plano, TX. (c) Dennis Young

So, my fascination with comets, and photographing them, has been transmitted across generations. The lumen-tailed visitors connect us to calendars of expansive scale, with predictable orbital cycles of centuries to many, many millennia. Some pass by only once, surprises from discovery to departure. As they approach the sun, the solemn apex of their journey, cyclical or not, they increase in brightness, shredding mass in the solar headwind, but their ultimate display remains a mystery of our night sky; an experience unpredictable to even the most experienced astronomer.

I have taken to photographing the celestial visitors, building on my father’s passion in the spring of 1986. My imagery could be more creative, certainly – this post is personal motivation for the next visitor.

Early morning photo of Comet Neowise in 2020
Neowise. A hopeful sign, Comet Neowise in the hour before dawn, Heartstone Hills, Great Basin Desert, NV, USA

Comet Neowise lit up the morning sky for several days in 2020. I captured its sudden drama, maybe as a sign of new days beyond the Covid pandemic. It was bright in the morning sky, and I only needed to walk into the hills above our home to set up a photo. I remember thinking it was fascinating that I could do this without having to travel at all, a unique spectacle just outside the house. I now wish I had found some landscape interest to go with its brilliance – I have time, it will be back in about 5,000 years.

Evening photo of Comet Tsuchinshan-ATLAS, over Carson Range, Nevada, USA
Comet Tsuchinshan-ATLAS above the Carson Range, Great Basin Desert, NV, USA

I had slightly more success with Comet Tsuchinshan-ATLAS four years later. On a night Desna and I thought to go into the hills above Washoe Lake to simply look for it, I captured a ‘portrait’ shot with wonderful detail of its tail and anti-tail (the anti-tail appears to point toward the sun, but it is a rare trick of perspective as the earth crosses the comet’s orbital plane).  It was for Comet Tuchinshan that I climbed into the leafless and windy Wasatch, hoping to capture its image against the backdrop of the Milky Way. I was not happy, at first, with the light pollution from the towns in Utah’s Sanpete Valley, but the image has grown on me, remembering my camp on the windy ridge of Skyline Road. It is nice to have two very different views of this exceptional comet – a comet that will never be seen again.

Crowded skies. Comet Tuchinshan-ATLAS among the Milky Way, Wasatch Mountains, UT, USA

As I drafted an early version of this post, thinking about my father’s Comet Halley, I learned of the appearance of Comet Lemmon in the fall of 2025 – just last month. I was leading a project in Yosemite National Park, testing the boundaries and depth of several archaeological sites on the park’s boundary. I had little free time, but I also knew I could not complete this post without at least trying to capture an image of the most recent visible comet. I waited into dark on a hillside below the road to Tioga Pass, and soon enough Comet Lemmon revealed itself. It reflected a subtle, suggestive light, difficult to keep an eye on, but a careful, long exposure revealed its short-lived spectacle. I will have to wait a millennium for this one to return. It was worth it.

Beyond the sun. Comet Lemmon begins its outward journey, Yosemite National Park, CA, USA

For the past couple years, my searches for fall color have been timed poorly. I will, however, have chances next year. These comets are once-in-a-lifetime, so I am happy to have spent at least one night in a buffeted tent, far above and beyond the leaves of autumn. Icy fragments of the cosmos, luminous for a moment in an evening sky, are worth missing the perennial colors of our locally wonderful trees. I will camp in the color next year, I hope – unless there is another comet.

Keep going.

Please respect the natural and cultural resources of our public lands.

#naturefirst #keepgoing

Winter’s Coming to the Eastern Sierra, CA

D. Craig Young · January 5, 2022 · 1 Comment

Plutonic glow. A storm clears at dawn in the. Alabama Hills, Eastern Sierra, CA, USA

We were closing out the 2021 field season in Owens Valley, and I had been on a long circuitous road trip working on projects in San Diego, California, visiting with colleagues in Henderson, Nevada, and traversing Death Valley to return to our team working on the fans of the Owens Lake basin. While we wrapped up our fieldwork, the first solid winter storm bore down on the Sierra. Travel home was not possible. The storm meant steady rain in Lone Pine, California, our lodging and logistical base, with the Sierra massif clouded over. I took some time to wrap up some field mapping in the southern valley, taking advantage of the road closures that precluded a homebound journey.

Eastern Sierra – Winter’s Coming Collection

Inyo squalls. Strom clouds clearing from the Inyo Mountains, Great Basin Desert, CA, USA

Soon, however, the storm caught up with me and the graded roads of the Olancha and Walker fans were flooded. I retraced my way around to the east side of the valley and visited the falling dunes of the Centennial benches, a small dune-set on the Highway 190 as it climbs out of Owens Valley. I really enjoy this small falling dune and adjacent sand ramps as they move across the dramatic black basalt of the local rimrock benches. Today, the wind was the subject. I was pushed by gusts and polished by grains as a worked low on the dune to tell the story of the wind and its motive power. No changing lenses in these conditions, but I chose well, and I am happy with the results.

Aeolian rush. Reworking of a falling dune, Owens Valley, Great Basin Desert, CA, USA
Ripples repose. Storm winds rearrange the falling ripples, Owens Valley, Great Basin Desert, CA, USA

The rains finally reached the desert side with the Inyo and Coso mountains soon engulfed in clouds and sheeting rain. I was not quite finished, however. I worked my way into blue hour in the Alabama Hills looking for small scenes in the fading light under the stormy clouds – only the lower mountain-front was visible. The barrel cactus seemed to bend the blue light into a kind of warmth, needles glowing against the cold rocks and sandy grus. Looking for a different perspective, I crawled into a tight cave-like alcove to keyhole small cactus. I am not sure it works but the contortion effort of lifting the camera into the slotted crevices to frame a hoped for subject had me laughing out loud; I am sure a strange solitary sound in the windy evening.

Barrel window. Blue hour and cactus in the Alabama Hills, Eastern SIerra, CA, USA
Storm ball. Alabama Hills, Eastern Sierra, CA, USA

I returned to the hotel to hope for a break in road conditions so I could get home. I had logged over 1600 miles on this outing, and the first pangs of homesickness are more acute when conditions change the plan. Clearing skies of the following morning brought reward. Forecasting the changing conditions, I hurried back into the Alabama Hills before dawn. I once again patrolled Movie Road. Driving its full extent and returned eventually to the newly restricted ‘Day Use’ area where the road first bends sharply east. The Sierra crest beckoned, and I had great pleasure watching the refreshed skies on Lone Pine Peak. The light of the Sierra, a gift accepted once again.

Eastern Sierra – Winter’s Coming Collection

Interior pipes. Early sun and texture in the Alabama Hills, Eastern Sierra, CA, USA

Keep going.

Please respect the natural and cultural resources of our public lands.

#naturefirst #keepgoing

Whitney Views – Owens Valley, CA

D. Craig Young · January 3, 2022 · Leave a Comment

Sierra sunstrike. Early morning in the Eastern Sierra, Owens Valley, CA, USA

After coming down from the crest of the Inyo Mountains, having wrapped up our small project at the Saline Valley Salt Tram, I set up camp at a small playa on the east side of Owens Valley, north of Dolomite. Desna met me and we circled the wagons in a quiet spot – we had planned a quick tour of the Owens Lake ponds to see if what birds might be late in the fall migration, and I still had some work to do with our team working on the west valley fans of Cartago Creek.

Crest late evening. The long-set sun kept us watching, Eastern Sierra, Owens Valley, CA, USA

It turned out the sky over the Sierra decided to put on a show, evening and morning. The east side, beyond the Owens River, provides a long view of the Sierra crest. The view of Whitney is rather iconic, with easy, attractive compositions coming from Alabama Hills, at shoulder-side on Highway 395, or further out in Owens Valley, where I sat now. There is not much of a story here, just my opportunity to share sunstrike with Desna and enjoying some nice light on the Eastern Sierra and its high point (a summit I have yet to reach, by the way – although my attraction is weakened by the necessary permit process).

Whitney Views Image Collection

Whitney and the needles. An approaching storm brings changes in the early morning of the Eastern Sierra, Owens Valley, CA, USA

The long lens allowed me to sit in camp and wait. The colors of blue hour, just after sunset, when the fading glow reflected by the western glows, filled the sky from the Sierra to the Inyos but lasted about five minutes. I settled on a crest view of Lone Pine Peak and the crags south of Whitney. It was sunstrike in the new drama of the following sunrise that proved magical. I climbed out of the camper with the portent clouds scudding above the dark peak, my tripod already set up above a cold, unused fire ring. Even when I am not photographing, sunstrike on the Eastern Sierra is wonderful. Today, and tomorrow, was special.  

Whitney Views Image Collection

Whitney morning highlights. Sunstrike brings contrast and depth to the Eastern Sierra, Owens Valley, CA, USA

Keep going.

Please respect the natural and cultural resources of our public lands. #naturefirst #keepgoing

Saline Valley Salt Tram – Inyo Mountains, CA

D. Craig Young · January 3, 2022 · 7 Comments

Moving over mountains. The remnant superstructure of the Salt Tram Summit Station above Saline Valley, Inyo Mountains, CA, USA

In early November, a few colleagues and I traversed the challenging 4×4 trail that skirts the ridge line of the Inyo Mountains, from Cerro Gordo high above Owens Lake, to the remaining historic-era structures of the Saline Valley Salt Tram. Although subject of a heroic restoration project several years ago, the summit structure remains exposed to the elements, of course, but it is also exposed to the rigors of heavy visitation. While most visitors are impressed by the remains and awed by the effort required in its construction, vandalism, whether purposeful or simply irresponsible, is an on-going concern. Our task was to map the summit structures using three-dimensional photographic tools with imagery obtained by drone. After the adventurous but grueling drive, we set up camp and prepared for some early morning flights. I am not an authorized drone operator, so I spent much of the time exploring the ruins and photographing from the ground.

Saline Valley Salt Tram Collection

Out of Saline. A tram stanchion above Saline Valley, Inyo Mountains, CA, USA
Salt feed. The summit station feeds Owens Valley to the west, Inyo Mountains, CA, USA
Salt intake. The receiving end of the summit tram station above Saline Valley, Inyo Mountains, CA, USA
Cable guide. Superstructure in the summit tram station, Inyo Mountains, CA, USA
Joinery. Hardware and wood in the salt tram summit station, Inyo Mountains, CA, USA
Mapping tools. Photo transects by drone, documenting the summit station, Inyo Mountains, CA, USA

The tram transported salt from Saline Valley over the ridgeline of the Inyo Mountains and down to Swansea at the shore of Owens Lake. Dozens of stanchions in various states of preservation mark the route from one side of the mountains to the other; the stanchions, leading to and from the summit station, supported and guided cables and their swinging carts; they can still be traced today across the distance. It is an amazing story of engineering and effort, for a relatively short-lived operation.

Saline Valley Salt Tram Collection

I am not typically interested in photographing structures, but these stoked an interest, especially given the uninteresting light and weather on the perfectly blue-sky, fall days we experienced on our little project expedition. I would have better luck during the changing weather once I was back in the valley bottom – I was headed back to the landforms of the Olancha and Cartago margins of Owen Lake at the foot of the eastern Sierra.

Keep going.

Please respect the natural and cultural resources of our public lands.

#naturefirst #keepgoing

Fall Color: A Rainy Evening in Hope Valley

D. Craig Young · December 15, 2021 · Leave a Comment

Aspen mosaic. Autumn’s passing in Hope Valley, Carson Range, USA

Finally, rain. I spent the last week in the Mojave Desert, gouging around Las Vegas Valley, walking several ranges, and spending too much time in a casino conference center. I cannot complain about returning to in-person gatherings with colleagues and friends, but I still felt I needed the solace of Hope Valley among the first storm clouds of the fall. I had missed the peak colors, it seems, but the aspens and willows of Hope saved something for me.

Holding still. A lone aspen at the edge of the grove, fall colors in Hope Valley, CA, USA.

I found, however, that a darkness had settled in and the compositions, to my eye, today, were few. I worked among the trees and hiked between scattered groves of color. Two images stood out and I was happy to get the simple shots as the light faded further.

Fall Colors – Hope Valley Collection

As I walked, I reflected on the week and month as the pandemic appeared to fade. Our meetings had been an apparent success and I wondered if I could dare feel some relief (Omicron variant was still in our future). In my hand my camera fired, with the settings of a relatively slow shutter speed. The view on the screen was a blur, reminding me of the potential creativity of Intentional Camera Movement (ICM). I began to play and started to see things unexpected; things that seemed to relate to my daring sense of relief and recovery. Certainly not to everyone’s taste, but I like the creation in the moment when abstraction meets emotion, even when it is simple and personal.

Recovering. Hope Valley, Carson Range, USA
At the edges. Hope Valley, Carson Range, USA
Is there an after? Hope Valley, Carson Range, USA

Fall Colors – Hope Valley Collection

Please respect the natural and cultural resources of our public lands. #naturefirst #keepgoing

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