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D. Craig Young

Time for the visitors: Photographing comets at the margins of the Great Basin

D. Craig Young · December 6, 2025 · 10 Comments

I seem to have driven above the fall colors of central Utah. The Old River Bed of the ancient Great Salt Lake, where I had been walking an ancient delta earlier in the day, was far behind me. With the light fading, I realized I was too late in the season – beyond the middle of October – for peak color in the aspen groves of the Wasatch Mountains. Never mind ‘peak color’, I was clearly too late for leaves of any kind; the aspens formed rows and rows of picket-lined, skeletal woodland, no leaves in sight. My goal this autumn, however, was something different.

I have had a long interest in the night sky. While I completed college courses and picked up a nice collection of books on astronomy, none of that prepares you for a night under a desert’s canopy of stars. Before I wandered deserts, living in the cross-timbers of northern Texas, telescopes had my attention, and I even fumbled around with camera mounts in high school, trying to connect a Canon AE-1 to an 8” tracking scope. I never solved that puzzle. My astrophotography has advanced little since the early 1980s.

However, comets.

In 1986, while I was at college struggling through physics class, my dad tracked Halley’s Comet as it approached perihelion on its ±76-year orbit. My grandfather had seen it as a boy, and my father wanted him, his father-in-law, to see it twice. Although I did not get to share in that effort, I have the picture my father captured from our front porch after several attempts at various locations. An engineer, he was able to get his AE-1 attached to a modified tripod to get the image. Although he recorded settings for several of his attempts in a notebook (high-quality paper metadata!), his best image is almost an afterthought; a classic moment of ‘one last image’.

Scan of photo print of Comet Halley, taken by Dennis Young in Plano, Texas, 1986
Comet Halley in 1986, from a quiet neighborhood in Plano, TX. (c) Dennis Young

So, my fascination with comets, and photographing them, has been transmitted across generations. The lumen-tailed visitors connect us to calendars of expansive scale, with predictable orbital cycles of centuries to many, many millennia. Some pass by only once, surprises from discovery to departure. As they approach the sun, the solemn apex of their journey, cyclical or not, they increase in brightness, shredding mass in the solar headwind, but their ultimate display remains a mystery of our night sky; an experience unpredictable to even the most experienced astronomer.

I have taken to photographing the celestial visitors, building on my father’s passion in the spring of 1986. My imagery could be more creative, certainly – this post is personal motivation for the next visitor.

Early morning photo of Comet Neowise in 2020
Neowise. A hopeful sign, Comet Neowise in the hour before dawn, Heartstone Hills, Great Basin Desert, NV, USA

Comet Neowise lit up the morning sky for several days in 2020. I captured its sudden drama, maybe as a sign of new days beyond the Covid pandemic. It was bright in the morning sky, and I only needed to walk into the hills above our home to set up a photo. I remember thinking it was fascinating that I could do this without having to travel at all, a unique spectacle just outside the house. I now wish I had found some landscape interest to go with its brilliance – I have time, it will be back in about 5,000 years.

Evening photo of Comet Tsuchinshan-ATLAS, over Carson Range, Nevada, USA
Comet Tsuchinshan-ATLAS above the Carson Range, Great Basin Desert, NV, USA

I had slightly more success with Comet Tsuchinshan-ATLAS four years later. On a night Desna and I thought to go into the hills above Washoe Lake to simply look for it, I captured a ‘portrait’ shot with wonderful detail of its tail and anti-tail (the anti-tail appears to point toward the sun, but it is a rare trick of perspective as the earth crosses the comet’s orbital plane).  It was for Comet Tuchinshan that I climbed into the leafless and windy Wasatch, hoping to capture its image against the backdrop of the Milky Way. I was not happy, at first, with the light pollution from the towns in Utah’s Sanpete Valley, but the image has grown on me, remembering my camp on the windy ridge of Skyline Road. It is nice to have two very different views of this exceptional comet – a comet that will never be seen again.

Crowded skies. Comet Tuchinshan-ATLAS among the Milky Way, Wasatch Mountains, UT, USA

As I drafted an early version of this post, thinking about my father’s Comet Halley, I learned of the appearance of Comet Lemmon in the fall of 2025 – just last month. I was leading a project in Yosemite National Park, testing the boundaries and depth of several archaeological sites on the park’s boundary. I had little free time, but I also knew I could not complete this post without at least trying to capture an image of the most recent visible comet. I waited into dark on a hillside below the road to Tioga Pass, and soon enough Comet Lemmon revealed itself. It reflected a subtle, suggestive light, difficult to keep an eye on, but a careful, long exposure revealed its short-lived spectacle. I will have to wait a millennium for this one to return. It was worth it.

Beyond the sun. Comet Lemmon begins its outward journey, Yosemite National Park, CA, USA

For the past couple years, my searches for fall color have been timed poorly. I will, however, have chances next year. These comets are once-in-a-lifetime, so I am happy to have spent at least one night in a buffeted tent, far above and beyond the leaves of autumn. Icy fragments of the cosmos, luminous for a moment in an evening sky, are worth missing the perennial colors of our locally wonderful trees. I will camp in the color next year, I hope – unless there is another comet.

Keep going.

Please respect the natural and cultural resources of our public lands.

#naturefirst #keepgoing

Iceland 2005

D. Craig Young · October 20, 2025 · Leave a Comment

Desert nights in Big Bend

D. Craig Young · July 31, 2025 · 1 Comment

Evening window. Chisos Basin, Big Bend National Park, TX, USA

It is the heat that gets your attention – and pay attention because one needs to travel wisely in the late spring in Big Bend National Park, but it is the promise of evening birds and late-night dark skies that holds it. I had dropped into Lajitas, Texas, to attend a photo workshop focused on astrophotography in and around the desert, borderland park. Night photography avoids the intense heat of the day, of course, but we also explored various locations to experience the moods of this variegated landscape.

Border wall. An outcrop of cactus overlooking the valley of the Rio Grande, Big Bend Mountains State Park, TX, USA
Diagnols. Lava intrusions along the Rio Grande, Big Bend Mountains State Park, TX, USA

The Big Bend topography is refreshingly disorienting to me. Unlike the regular, linear pattern of the Basin and Range, the mountains of Big Bend seem circular; we travel around and into them, not over and through. Alluvial fans and consolidated pediments extend from the rugged uplands, these are familiar.  The Rio Grande gasps for refreshment, barely any flow this time of year – the canyon marking the national boundary more than the river. The Chihuahuan Desert, its incessant volcanic rocks colonized with a wild diversity of arid-adapted plants and animals, is somehow sharper and coarser than our western deserts. Although the landscape is wide open, I feel like I cannot see as far. Between convoluted ridges, gunsight canyons reveal a surprise of distant ranges and mesas, verifying that the desert knows no borders.

Fade to light. Chisos Basin, Big Bend National Park, TX, USA

While I am not attracted to group excursions typically, I have great friends at Muench Workshops, and their participants are like-minded and lovely to spend time with. I always learn new bits of technique, and with astrophotography, there can be unique skills to apply in the field and in image processing. I forget most of them almost immediately, but that is not for their lack of unselfish sharing and engagement. It takes practice, and more practice, but it remains so much fun.

Castellan night. Astrophotography at Cerro Castellan in Big Bend National Park, TX, USA

While I gave full attention to our daily astro tutorials – we would hide away in a cool conference room during the hottest part of the day, I engaged my wanderlust during late afternoon excursions in search of birds and sunset light. I was then ready to settle in with the group to practice dark-sky compositions from blue hour to well after midnight.

Sendero rio. Big Bend Mountains State Park, TX, USA
Simple dusk. Volcanic badlands below Cerro Castellan, Big Bend National Park, TX, USA

Our little group moved between the mountains and canyons, dropping to the river occasionally; anything to feel the evening releasing the heat of the day. Although Wayne and Matt had locations planned, we often detoured when the light caught our attention. They picked some amazing scenes, but our focus was technique so we could have been almost anywhere in the jumble of desert spires and ridges. We practiced variations on focus-stacking, time-blending, and multiple exposures to battle the digital noise of long exposures, high-ISO settings, and heat-affected sensors. We also practiced various low-level lighting techniques to bring warmth and detail to our scenes. The field craft is a bit fiddlier than I am drawn to typically, and the files take quite a bit of patience (and computing power) to process, but the results are, or can be, amazing.

Adobe y cielo. Big Bend Mountains State Park, TX, USA

I mastered nothing on this trip, but I was reminded that improvement continues with practice. I may use few of the skills and tricks that well-practiced astrophotographers bring to their scenes, but there are landscapes and landforms in the Great Basin that I want to capture under a night sky, so I will continue to practice (special thanks to Wayne Suggs and Matt Payne). There is nothing like being under a dark sky in a desert or mountain landscape. It heals concessions we make living in cities of artificial light and constant motion, and it wakes up senses we hide from ourselves most of the time. The photos are then reminders that we should go back to the dark, occasionally, to heal and wake up.

Plus, there are birds to enjoy in the blue hour as we wait for the stars to shine.

Keep going.

In memory of my nephew, Robby Young, who we lost so suddenly and too soon, while I was in Big Bend (June 2024). I did not see him enough, and I cannot see him again. But I will always have a reminder of him when under a dark sky, where the stars feel close enough to touch, even as they continue their journeys, far, far away.

Fieldnotes 2025.07.09

D. Craig Young · July 27, 2025 · Leave a Comment

Choices. Highway 50, Great Basin Desert, NV, USA

Quick camp on Miller Canyon Fan, western Utah

D. Craig Young · July 26, 2025 · Leave a Comment

Panoramic photo showing beauty of Sevier Basin, Utah
Gunnison distance. The broad expanse of Sevier Valley after a storm, Great Basin Desert, UT, USA

Waypoint: Miller Canyon Alluvial Fan, Sevier Valley, Utah

After a warm day of landform reconnaissance in the Great Basin of western Utah, I camped in a small back-berm playette on the broad alluvial fan of Miller Canyon extending from the House Range in western Utah. The playette – a miniature dry lake – formed behind a relict gravel berm of pluvial Lake Gunnison, building over thousands of years as loessic alluvium scoured from the hillslopes settles behind the abandoned berm. This is the modern setting on the expansive alluvial fan – a small dry lake nestled behind a beach long after the once vast pluvial lake faded and dried, its lakebed shrinking to the playa of the Sevier Basin. The berm provides a stage for photographing storms that try and fail, evaporating into the evening skies of the Great Basin. The variegated color of a juvenile Brown-headed Cowbird greeted me as I rolled out of my sleeping bag the following morning. Altogether, a somewhat typical experience during geoarchaeological fieldwork in the Great Basin Desert. Keep going.

Glow squalls. Watching the storms pass from a small playa below Miller Canyon, Great Basin Desert, UT, USA
Skies over House Range. Great Basin Desert, UT, USA
Thirsty bird. A young Brown-headed Cowbird searches camp for water, Great Basin Desert, UT, USA

[2024.05.15 — Bonneville Basin Recce with Brian Codding (Univ of Utah) and Daniel Contreras (Univ of Florida); aka, The Strandline Society].

“These images and words are a reflection, simply and wholly, of my respect for our public lands and the public science and occasional art I am, and we are, able to do there. Our ability to create and think are not trivial, and wild space and healthy ecosystems nourish such things. It is here that we will find our better selves, even as the misdeeds of a few threaten much that, until recently, provides for our common good. Keep going.“

Please respect the natural and cultural resources of our public lands.

#naturefirst #keepgoing

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